Lady Chatterley's Lover

Lady Chatterley's Lover is a somewhat infamous novel in the history of English literature. Written by D.H. Lawrence, the book was widely considered to be obscene when first published in 1928. Research papers on Lawrence's famous novel can be custom written by literary experts when you hire Paper Masters to assist you with your world literature projects.

Lady Chatterley's Lover's stark depictions of the sexual relationship between a working class man and an upper class woman often employed language that, while commonplace today, had never before been printed in a novel. The appearance of uncensored versions decades later was often seen as a triumph of the sexual revolution.

The plot of Lady Chatterley's Lover details the life of a young married woman, Constance, whose husband, the handsome and rich Clifford Chatterley, has been paralyzed in the First World War. Additionally, his emotional detachment, a result of PTSD, forces her into a sexual affair with Oliver Mellors, the gamekeeper.

• Lawrence had the novel privately printed in Florence in 1928.
• A highly edited version of Lady Chatterley's Lover appeared in Great Britain in 1932, as well as a censored version that had been published in the United States in 1928.
• A full, unexpurgated version of Lady Chatterley's Lover did not appear in print in Great Britain until 1960, at which time the publisher was prosecuted under the Obscene Publications Act of 1959.

The eventual not guilty verdict was seen as a vindication of literature and freedom of expression. In the United States, legal action kept the full version appearing until 1959. In Japan, the resulting obscenity trial, which ran from 1951 to 1952, led to a guilty verdict and fine for the publisher.

The famous pair of Connie Chatterley and Oliver Mellors was the tool that Lawrence used to exploit what England had become, stripped of real life and true emotion. This is illustrated in the words of Connie in chapter 6 "All the great wordswere cancelled for her generation: love, joy, happiness, home, mother, father, husband, all these great dynamic words were half dead now, and dying from day to day". In the beginning of the novel, Clifford Chatterley and his friends discuss how these lost words are currently devoid of meaning and their only safe and nurturing harbor is in the mind. Lawrence asserts that communication is of the utmost importance in society, and especially between the sexes.

At the publishing of the novel and for sometime there after, public objection of the strong language which Lawrence used high. It was ignorantly called vulgar and symbolic. One critic stated that Lawrence's language was childish and in regards to his word choices, "most of their magic had been rubbed off before he was out of grammar school". But the very words criticized were the words that Lawrence attempted to unearth from days gone by in which language was literal and human reactions were not ashamed nor was the language used in an abusive manor.

D.H. Lawrence's literary techniques in 'Lady Chatterley's Lover' were designed to frustrate the reader's linguistic and visual perceptions. Instances of sexual intercourse, a vision by Connie's womb, and conversation about sex while centering on the talkers' heads split the reader's consciousness and show how Lawrence attempted the impossible task of using language to help the reader travel beyond language. This language of is used to wake up an entire society. It is Lawrence's intention to take the reader back before Adam and Eve and balance sex, sexuality, and the natural human drives and emotions with the body and mind, and realize that obscenity is only when "the body hates and resists the mind".

The motion of the mind and body is important in the novel, and Lawrence attacks England directly for the mechanical nature of the progression of human nature. "The industrial England bots out the agricultural England. One meaning blots out another. The new England blots out the old England. And the continuity is not organic, but mechanic."