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Much Ado About Nothing

William Shakespeare Much Ado About Nothing

William Shakespeare and Much Ado About Nothing research papers take a vast amount of time to outline and write. Here is a suggestion on how Paper Masters lays out an assignment like that.

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Shakespeare's plays are the greatest achievement in the English language. That they are still both performed and reinterpreted for modern audiences demonstrates their power as drama. Shakespeare's comedies, in particular, have elements of romance and word play that rival the best screwball comedies. Much Ado About Nothing is a particularly apt title for a play that has little substance, but great laughter. Samuel Taylor Coleridge once said about Shakespeare's plays: "The plot interests us on account of the characters, not vice versa; it is the canvas only". In Much Ado, the main villain of the piece is Don John, bastard brother of Don Pedro the Prince of Arragon. Don John's character is one of malice without motive: his villainy comes from a specific need to have a villain. It is a plot device only, one that serves to add to the comedy of the situation.

Question to focus on when writing research papers on Much Ado About Nothing

  1. What are the two basic elements of setting in William Shakespeare's Much Ado About Nothing?
  2. What is narrative structure? Remember that narrative structure is the effect of point of view on the plot. it changes depending on point of view. Give an example from William Shakespeare Much Ado About Nothing.
  3. In the film of William Shakespeare Much Ado About Nothing, how is character partly defined by filming techniques? (Talk about how the film is shot as well as the editing techniques. In a scene with Beatrice and Benedict the film's use of camera to see things from both point of views. Get in depth with that. I'm not sure if this example partly defines character but you can think about it. In addition to the removal of some scenes, the film also uses intercutting to keep a brisk pace and to combine some of the play's scenes. For example, Intercutting allows the film to give a moment to each of the characters inside the masquerade party while their masks are still worn. Then, the film cuts to those outside of the party, allowing then to interact, before returning to the masquerade. This intercutting did not occur in the play, which does not have the luxury of immediately switching between scenes. This director's decision helps the audience to learn quickly of the events that are likely to occur in the future while moving the plot forward. It saved the movie some valuable time, which was important since the director did not want to get bogged down in every minute detail from the original play.)
  4. What's the difference between a motif and a symbol? Give an example of each from William Shakespeare Much Ado About Nothing; select examples that are related in some way. (A motif is a recurring idea supporting the theme and a symbol is a recurring element or person having a specific meaning in support of the theme. For example the motif of disguise and the symbol is mask in William Shakespeare Much Ado About Nothing.)
  5. What is a visual metaphor? Give one example from the film, William Shakespeare Much Ado About Nothing and explain the metamorphic meaning of each. (A visual metaphor is a visual description by direct comparison. In William Shakespeare Much Ado About Nothing the visual metaphors are that All are wearing white in the beginning and the masks are a visual for disguise.)
  6. Explain how the a fidelity daptation type fits the William Shakespeare Much Ado About Nothing. (Fidelity-the entire book is represented, though not so exactly; the spirit of the book is maintained. The essential elements, both literal and spiritual are distilled from the original. William Shakespeare Much Ado About Nothing offered a film adaptation that is very true to the spirit and plot of the original Shakespearean play. It is fidelity of transformation type of adaptation William Shakespeare Much Ado About Nothing contains all of the essential literature and spiritual elements conveyed in the original work. However, Branaugh did make some changes to the work; largely the changes are made in order to fit the film into a standard film length and to make the story better suited to the interests and beliefs of a contemporary audience. The omissions are carefully selected to prevent any significant deviations that might otherwise change the original play's storyline or intent.
  7. How do you discover a theme in a film? Use the film William Shakespeare Much Ado About Nothing as an example of your detective work. State the complete theme.

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