Early Renaissance Painting
Research Papers on the Early Renaissance Painters
Research papers on the early Renaissance painters explicate the elements of their style. Paper Masters has art history writers that will custom write a research paper on any early Renaissance painter or painting that you need written on.
Many Early Renaissance painters used linear perspective to create their ideal of illusion of nature on a flat surface. For example, Paolo Uccello used geometric shapes such as squares and rectangles to create the illusion of spinning motion in a round, transparent object. Other features of early renaissance painters are:
- Artists of this style utilized realistic expression, harmonious proportion, and rational postures.
- Early Renaissance painters favored naturalistic representation of the human form.
- Early Renaissance painters differed from International Gothic painters in the way they depicted nature. Instead of capturing the realities of nature, Early Renaissance artists often painted idealized forms rather than literal appearances.
Early Renaissance Painting
Paper masters shows you how to write an Early Renaissance Painting introduction. Why? We believe in helping students succeed. Read on and you'll learn that research papers on the Early Renaissance style painting illustrate that the artistic style known as Early Renaissance began in Florence, Italy, the intellectual, financial, and artistic center during the 1400s. During this time, a renewed interest in humanism was born. Many believed that the way to greatness and enlightenment was through the study of the Golden Ages of the ancient Greeks and Romans. The Early Renaissance period was associated with the use of paintings as a status symbol for financial and political power.
Features of Early Renaissance Painting
In Early Renaissance paintings, the physical world was depicted as the imperfect picture of monumental spiritual beauty. The Early Renaissance painting also differed in that the depiction of human emotion was stylized rather than real and the individual features of the work seemed disproportionate as a whole. The mythical flavor of Early Renaissance painting is depicted in the paintings of Sandro Botticelli. In his painting the Birth of Venus, the heroine appears nude as a winged Zephy clad only in a blue drape blows her gently to shore.